Bacardi and the Long Fight for Cuba

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Bacardi and the Long Fight for Cuba

The Bacardis of Cuba, builders of a rum distillery and a worldwide brand, came of age with their nation and helped define what it meant to be Cuban. Across five generations, the Bacardi family has held fast to its Cuban identity, even in exile from the country for whose freedom they once fought. Now National Public Radio correspondent Tom Gjelten tells the dramatic story of one family, its business, and its nation, a 150-year tale with the sweep and power of an epic.

The original Barcardi Distillery
The original Bacardi Distillery

The Bacardi clan–patriots and partyers, entrepreneurs and intellectuals–provided an example of business and civic leadership in its homeland for nearly a century. From the fight for Cuban independence from Spain in the 1860s to the rise of Fidel Castro and beyond, there is no chapter in Cuban history in which the Bacardis have not played a role. In chronicling the saga of this remarkable family and the company that bears its name, Tom Gjelten describes the intersection of business and power, family and politics, community and exile.

Praise

“It’s hard to imagine that any (Cuban history) is as enjoyable as “Bacardi and the Long Fight for Cuba” by Tom Gjelten, a correspondent for National Public Radio. His book is as smooth and refreshing as a well-made daiquiri.”

–Barry Gewen, New York Times (read the entire NY Times review)

“A gripping saga that tells us just as much about human nature and the struggle between power and freedom as it does about Bacardi’s transformation from a fledgling business into the world’s top family-owned distiller.”

–Alvaro Vargas Llosa, The Wall Street Journal (read the entire Wall Street Journal review)

More reviews here >

Bacardi Reviews

Distilling the ties between Bacardi and Cuba

Michael Deibert, The Miami Herald.

This is an engaging portrait of a family squabble and a corrupt country.

When a Catalan merchant named Facundo Bacardi purchased an underperforming rum distillery in Santiago de Cuba in 1862, he likely could little have imagined how vast his business venture would one day become, nor how intertwined its rise would be with the fate of a nation.

The story of Facundo and his descendants is the focus of the new book by National Public Radio correspondent Tom Gjelten, who seeks in his narrative to view much of Cuba’s history through the microcosm of a single sprawling, occasionally squabbling Cuban family. He is largely successful in painting an engaging portrait of a vibrant though often tragic national trajectory.

Gjelten writes that what made the family-held company unique was its ”intertwining of nationalist and capitalist identities.” These dual strands never coalesce with greater passion than in Emilio Bacardi, Facundo’s son and the dominant figure in the first half of the book. Twice imprisoned by the Spanish and subsequently Santiago de Cuba’s first Cuban-born mayor and a national senator, Emilio represents perhaps the greatest flowering of these complementary identities. A fine portrait is likewise drawn of the corrupt playground Cuba became under presidents Ramón Grau San Martin and Fulgencio Batista.

Gjelten does not paint the island in stark primary colors of good and evil, instead portraying a Cuba of imperfect patriots, conflicted loyalties and sometimes disastrous rebellions. Fidel Castro’s ill-advised nationalization of businesses finally succeeds in driving the Bacardis out in a melancholy coda to a business identity that always seemed inextricably linked with the soil on which it was founded.

The book has some shortcomings, as Gjelten appears to have gotten a little too close to his subject and thereby lost some of the objectivity that is so important in such a definitive undertaking. The Bacardi family is almost always portrayed as selfless, while the company’s workers are often portrayed as difficult and opportunistic, though Gjelten does make a point of expounding upon the stark inequalities between Cuba’s rural poor and urban elite.

The family squabbles that mark the narrative once the Bacardis move to the United States prove nowhere near as engaging as the chronicle of revolution, politics and commerce that precedes it, though the company’s ability to get a pro-Bacardi amendment inserted into the Omnibus Appropriations Act of 1999 vividly illustrates how powerful corporations can bend legislation to suit their interests.

One is left with the sense that Cuba was a nation of missed opportunities. The original Bacardi credo of responsible civic engagement, one that the powerful in both Cuba and the United States could do well to remember, is perhaps best summed by lines that Emilio Bacardi penned following the start of the U.S. occupation of Cuba at the close of the 19th century: “The obligation of those in authority is to be at the service of those who suffer. It is not for those who suffer to be at the disposition of those who command.”

Michael Deibert is the author of Notes from the Last Testament: The Struggle for Haiti.